Worlds apart: Ladies, Comics, & Sweden
So two months ago, I went to Sweden for their (government funded) SPX, and the Swedish festival is run by one of the librarians at the Serieteket (comics library) in the Kulturhuset (cultural center- but it really doesn’t compare to anything in the US, you actually get the sense that culture is valued from the exterior & location of the building it’s in). Serieteket gets a lot of assistance from Galago, a comics publisher & quarterly magazine who helps coordinate the foreign guests and programing. Johannes Klennel is the guy in charge, he’s this tall, blond, viking hipster, and the Galago crew skews male, but there’s plenty of women involved.
At the bar down the block from their offices, we started talking about the changes they’ve gone through in the past year. Sweden has a vocal feminist presence, and when I say feminist, I mean cute, fashionable girls who have been raised to believe they should be treated as equals, not the disparaging view most Americans have of feminism. They took issue with Galago’s gender ratio- very few women were being published in the magazine, though many of the women were getting books published and producing great comics. They raised enough ruckus that the editors decided to look at why that was happening.
It more or less came down to them being men and not really thinking about including women. They made an editorial choice to have a goal of 50% men & women in each issue, with the rule being, if at least 30% of the comics weren’t by women, they’d scrap the issue & start over.
They lost 0 subscribers, and ended the complaints from women.
The biggest complaint at the festival was that the new conservative government had just eliminated pensions for retired artists. Second was that table prices had been raised to $50.
